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SimuroД¬ool Moms & Cool Media: Returning to, Morgan Wallace 'He Didn't Mean It': What Kubrick's, Kelley O'BrienДЇailing to Move Forward: Journalism, Media, and Affect in David Fincher's, Nicholas OrlandoД®liminating the Uncertainty of Hong Kong in 1990s: Tsui HarkвЂ™s Once Upon a Time in China (1, 2, 3), Zhanwen PengДЄ Woman's Place in Jazz in the 21st Century, Valerie T. The Revival Western and, Kevin Thomas McKennaД¬oncerning Virtual Reality and Corporealized Media: Exploring Video Game Aesthetics and Phenomenology, Matthew Morales The Promised Body: Diet Culture, the Fat Subject, and Ambivalence as Resistance, Jennifer Dolan Performing 'Hurt' : Aging, Disability, and Popular Music as Mediated Product and Lived-Experience in Johnny Cash's Final Recordings, Adam Davidson Poetics of Sixteenth-Century Widowhood: Vittoria ColonnaвЂ™s Use of Gender and Grief as a Means of Social and Spiritual Transcendence, Sarah Conner The Peruvian minstrel: an analysis of the representations of blackness in the performance of El Negro Mama from 1995 to 2016, Ana LucГa Mosquera RosadoДЄn Ecology of Care: Training in Dependence and Caretaking in The Witcher 3: Wild Hunt, Elizabeth RossbachДЄnti-Fascist Aesthetics from Weimar to MoMA: Siegfried Kracauer & the Promise of Abstraction for Critical Theory, Maxximilian Seijo Mobilizing Images of Black Pain and Death through Digital Media: Visual Claims to Collective Identity After вЂњI CanвЂ™t BreatheвЂќ, Aryn KellyДЄdaptations of OvidвЂ™s Metamorphoses in Late Medieval France: Material and Moral Recontextualization in the Tapestry of Narcissus at the Fountain, Morgan J. CoxД«altimore Mobility: The Wire, Local Documentary, and the Politics of Distance, Richard M. Plasticity in Animated ChildrenвЂ™s Cartoons: The Neoliberal Transforming Bodies and Static Worlds of OK KO and Gumball, Rachel E. Roots of Coded Metaphor in John Dee's Monas Hieroglyphica, Joshua Michael ZintelД«laxploitationвЂ™s Revolutionary Sexuality: Rethinking Images of Male Hypersexuality in Sweetback & Shaft, Austin D. HorrorвЂ™s Aesthetic Exchange: Immersion, Abstraction and Annihilation, Ashley Morgan Steinbach How Audiovisual Composition Reveals Gendered Limitations and Possibilities in Lady Bird in the Wake of #MeToo, Chandler Micah Reeder The Concept of Freedom in American Literature at the Dawn of the Nation, Mykhailo Pylynskyi I'm Going Digital: Potentials for Online Communities Through Internet Remix, Justin N.

Recurring Scream: Trauma in Wes Craven's Slasher, Ben Muntananuchat Neo-Colonial ElitesвЂ™ Linguistic Violence and Monolingual Haitian Creole Speakers: Language Ideology, The Politics of Linguistic Pluralism, the Crisis of National Identity and Culture in Haiti, Frantzso Marcelin Roots in Antiquity: A Comparative Study of Two Cultures, Lara Younes Freajah Redefining Representations of Trauma & Modes of Witnessing in Damon LindelofвЂ™s The Leftovers, Mariana Delgado Each story documents a coming-to-consciousness regarding the operationsвЂ™ damage to health and dignity, suggesting that, despite being deeply rooted in the millennial soils of custom, women and girls can reclaim their physical integrity, thereby changing culture.Lost Without a Connection: Analyzing Netflix's Maniac in the Digital Streaming Age, Eric Bruce

Like Tashi, KeitaвЂ™s heroine also emigrates but exports the passion for feminist organizing she first nourished in her homeland. An injured activist, Tashi is joined in the script by characters who escape gender binaries, break with inherited sex roles, and redefine human possibility.

Walker pictures an African heroine, Tashi, voluntarily undergoing FGM as a (misplaced) patriotic gesture, the tragedy becoming clear once she emigrates. Two novels, Possessing the Secret of Joy (1992) by African-Amer-indian author Alice Walker, and Rebelle (1998) by Ivory Coast writer Fatou Keita challenge the custom directly without over-simplification. In campaigns to stop female genital mutilation (FGM), imaginative literature supplements apologetic anthropological, cultural relativist, or sensational media approaches.

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